Born in Czechoslovakia, Eva fled to Palestine
at the start of
World War II. She took part in the fight for independence
of Israel and joined the Israeli Army in 1950. In 1953 she
moved with her family to Venezuela and immigrated to the
United States in 1963.
Due to the unstable
and turbulent times, she never obtained a formal art education.
At the age of 15, she received instructions in pastels from
Ahron Kahana, a well known Israeli artist who was famous
for landscape paintings and portraits. He was a great admirer
of Picasso and changed over to abstract painting later on.
At the age of 17, Eva was introduced for the first time
to oil painting by Czech artist Stanislavsky. He taught
her to see colors in everything. Look at the sky
he used to say, Do you really think it is blue? Keep
looking and you will detect a myriad of other colors. Green,
orange, pink purple
all shades. The same goes for grass,
trees and buildings. Do you see this white wall? It is not
white at all. It has a mixture of yellow, yellow ochre,
shades of orange, and even some blue, green and purple.
The other important lesson she remembers is how to clean
brushes and how to hold them while painting. The further
back one holds the brush, the more freedom of movement one
has. For three months they painted landscapes together around
the Tel-Aviv area and then he returned to Czechoslovakia.
It
was not until 1967 that Eva started painting again. She
participated in side-walk art shows which earned her numerous
ribbons. In the early 1970s she attended evening art
classes taught by Mira Damsker at Miami-Dade Community College
and also joined Painting Holidays with teachers George Cherepov
(oils) in North Carolina, Cherepov and Claude Croney (water
colors) in Vermont and Toni Van Hasselt (water colors) in
New Mexico.
Her
art career ended abruptly in 1979 when her husband died.
She then immersed herself totally in the manufacturing process
of their business. It was a harrowing experience, working
up to 80 hours a week for over 15 years, having no time
for art. But 20 years later things started looking up. The
work load became easier and suddenly she discovered as if
by chance, the Jean Leighton Art Studio in Hollywood. Immediately
she joined, starting to work with oils. Eva is very fortunate
to have found teachers Michele Krasny and Ann Wolkowitz
to be great artists. They are immensely experienced and
well versed in all media and all subjects, with a keen eye
for design and color and a never ending patience with their
students.
Eva Engler expresses the essence of her
painting with forceful colors, sometimes happy, but more often mysterious and eerie,
capturing the mood of a lonely beach scene, a withered tree in the desert
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